There is a fairly widespread notion that the great voices of popular music are, at their core, technological creations. To listen to certain analyses, the recording studio almost seems like a massive factory of illusions. Yet the more I looked into how Bruce Swedien recorded Michael Jackson, the more the opposite impression took hold of me: everything seems to have been designed, not to fabricate a voice, but to avoid distorting it

fund dedicated to the translation of I. Petitjean's latest book on Michael Jackson, black or white? outsanding artist vs racialized industry

Michael Jackson, The truth about these posthumous editions? Which truth(s)? Because it seems to me, from the outset, that it is in the...