There is a fairly widespread notion that the great voices of popular music are, at their core, technological creations. To listen to certain analyses, the recording studio almost seems like a massive factory of illusions. Yet the more I looked into how Bruce Swedien recorded Michael Jackson, the more the opposite impression took hold of me: everything seems to have been designed, not to fabricate a voice, but to avoid distorting it

Could Michael Jackson's voice and other artists' voice, be used to create new songs and albums tomorrow?

A tribute to Bruce Swedien, Michael Jackson's emblematic sound engineer by Isabelle Petitjean, looking back on a friendship woven of respect

"Michael Jackson's artistic contributions: another perspective" Issue directed by Isabelle Petitjean, April 2022 The number of academic...

Michael Jackson, The truth about these posthumous editions? Which truth(s)? Because it seems to me, from the outset, that it is in the...

Critical review : Book “Le secret d’une voix” (the secret of a voice) by Doctor Branchereau I have just read, in less than two hours (!),...